Yes, even 
Academy Award voters can be wrong.  Here are 10 of the most glaring errors in Oscar history, from the most  horrible to the least horrible. Not every movie on this list is  horrible. They are merely horrible choices as 
Best Picture.
 
The Hurt Locker
|  | 
| The Hurt Locker | 
10. Director Kathryn Bigelow certainly deserved the  praise heaped upon her, including the Best Director statuette, but was  it really the kind of movie that belongs in the same breath as Best  Picture winners like "Ben-Hur," "
The  Bridge on the River Kwai" or "
Casablanca"?
A Beautiful Mind
|  | 
| A Beautiful Mind | 
9. Opie won the Oscar for Best Director, but the film  just didn't seem to have the epic scope of a Best Picture. Two other  nominees  -- "Moulin Rouge" and "
The  Lord of the Rings: 
The Fellowship  of the Ring" -- did have epic qualities but did not have the  same universal appeal.
Driving Miss Daisy
|  | 
| Driving Miss  Daisy | 
8. Politically, we're not sure this movie would be  viewed in quite the same favorable light these days, with everybody's  favorite God 
playing the 
chauffeur for a cantankerous old white  Southern woman. It was based on a Pulitzer Prize-winning play, which may  explain why voters thought it was better than it was.
Rain Man
|  | 
| Rain Man | 
7. Dustin Hoffman as a savant. Tom Cruise in a cool  suit. We can't think of another reason why this won.
Out of Africa
|  | 
| Out of Africa | 
6. It was Sydney Pollack, the academy's favorite  director at the time. It was Meryl Streep and Robert Redford, the  academy's favorite actors at the time. And it was colonial Kenya, the  academy's favorite setting for an epic. Enough said.
Oliver!
|  | 
| Oliver! | 
5. It won six Oscars and was excruciatingly long, which  might explain why it won Best Picture. Perhaps voters were promised that  if they cast their ballot for "Oliver!" they would never have to watch  it again. 
No Country for Old Men
|  | 
| No Country for Old Men
 | 
4. The Coen brothers' ode to bad hair wasn't as good as  Paul Thomas Anderson's "There Will Be Blood," another nominee that year.  Maybe voters were overwhelmed by the violence and blinded by Javier  Bardem's bangs.
Chicago
|  | 
| Chicago | 
3. Rob Marshall directed this terribly miscast musical,  and we're still mystified that it beat out "Gangs of New York," "The  Hours," "The Lord of the Rings: 
The Two  Towers" and "The Pianist."
The English Patient
|  | 
| The English Patient
 | 
2. We started watching this movie in 1996 and can't tell  you for sure what year it ended. We also can't tell you when we  recovered from the brain numbness. This movie's only saving grace was  that it didn't come out the same year as "Saving Private Ryan."  Regardless, it swiped an Oscar from "Fargo" and "Jerry Maguire." The  field was weak that year, and "The English Patient" clearly benefited.
Shakespeare in Love
|  | 
| Shakespeare in  Love | 
1. To be fair, Shakespeare  didn't write the screenplay  for this movie, so we shouldn't lump him in with the gang of thieves who  stole the election.